Tag: Maya
‘My Dad the Bounty Hunter’: Meet the New Space-Age Family
For those privileged enough to engage with the experience, parenthood exists as the ultimate portal for reconnecting with one’s inner child. The energetic duo...
Watch: AnimSchool Studios’ Offers a Peek at Wild, Wild ‘MechWest’
The talented team at AnimSchool Studios has delivered a great-looking pilot for their new CG-animated action-adventure series titled MechWest. The imaginative new show takes...
Watch ‘The Voice in the Hollow’: An African Horror-Fable Powered by Unreal Engine
The dangers of jealousy and ambition are laid bare in the atmospheric, supernatural new mixed-technique animated short The Voice in the Hollow — a texturally rich...
Behind the Scenes of ThePack’s First Animated Feature Made in a Game Engine
This year, we at ThePack released our first theatrical animation film fully rendered in a game engine: Journey to Yourland. The film is produced...
How ‘Canary’ Directors Dallaire & Therriault Let Their Animated Vision Soar
The classic story of "the boy who cried wolf" is refitted into a modern, CG-animated tale of unlikely friendship and tragic loss in Canary,...
Magic Light’s ‘The Smeds and the Smoos’ Animates a Star-Crossed Alien Tale (NEW TRAILER)
***This article originally appeared in the January '23 issue of Animation Magazine (No. 326)***
Over the past decade, TV audiences in the U.K. have grown...
Ragdoll Dynamics 3.0 Adds Real-Time Character Physics Animators Can Steer Like a Puppeteer
Imbalance today releases Ragdoll Dynamics 3.0, giving animators an easy way to automate character physics in Maya. Animators can now create believable, nuanced animation...
‘Reindeer in Here’ Director Lino DiSalvo & Author Adam Reed Bring the Next Christmas Classic to CBS
On Tuesday, November 29, CBS will premiere the new one-hour holiday animated special Reindeer in Here. Based on the award-winning Christmas book and plush...
Unreal Engine 5.1 Hits the Scene with Ramped Up Animation, Games & VFX Tools
Epic Games' Unreal Engine 5.1 is available today, building upon the groundbreaking feature set introduced in UE5 to enable even easier and faster 3D...
Director Uri Lotan Takes Us on a Ride Down His ‘Black Slide’
***This article originally appeared in the November '22 issue of Animation Magazine (No. 324)***
A young boy learns to face life’s darkest moments in Uri...
A Rewarding Journey: ‘Picchu’ Illuminates the Beauty and Resilience of Ecuador
***This article originally appeared in the August '22 issue of Animation Magazine (No. 322) ***
Produced end-to-end by a geographically distributed creative team using...
Brent Forrest Introduces His ‘Samurai Frog Golf’ at SIGGRAPH
Among the many animated projects debuting a SIGGRAPH this week is Samurai Frog Golf (or SFG), a charming short created by director Brent Forrest...
Breakdown: Digital Domain Helps Create a Marvelous Reinvention of ‘Ms. Marvel’
For Marvel Studios’ latest episodic series, Ms. Marvel, the production faced an interesting, and somewhat rare challenge, revealed today in a new breakdown video from Digtal Domain, which...
SIGGRAPH: Spotlight on the 2022 Prize Winners
***This article originally appeared in the August '22 issue of Animation Magazine (No. 322) ***
Best in Show: The Seine's Tears
Director: Yanis Belaid
Pôle 3D, France
Paris...
Seneca College Finds a New Formula for Success with Its ANI 2.0 Program
This autumn, 115 new students will arrive on campus at Seneca College’s School of Creative Arts & Animation in Toronto, Ontario — just in...
Exclusive: The Creature Wranglers of ‘Gremlins: Secrets of the Mogwai’ Give Us a Sneak Peek
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June/July '22, No. 321)***
It’s been 38 years since director Joe Dante introduced us to...
Exclusive: ‘Jurassic World Dominon’ VFX Supe David Vickery Unleashes the Dinosaurs Again
***This article originally appeared in the 35th Anniversary issue of Animation Magazine (June-July '22, No. 321)***
Twenty-eight years after the release of Steven Spielberg’s ground-breaking movie Jurassic...
Exclusive: How Chris Williams’ ‘The Sea Beast’ Took to the High Seas
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
Big Hero 6 director Chris Williams is no stranger...
Exclusive: Amanda Forbis & Wendy Tilby Discuss Their Stunning New Short ‘The Flying Sailor’
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
Animation lovers around the world do a little happy dance...
Exclusive: Annecy’s Eclectic VR Program Delivers the World of Tomorrow, Today
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
The Annecy International Animation Film Festival has long strived...
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